Author: Kevin Gaudette

  • Teaching Pushing Hands to Addicts in Mexico

    Teaching Pushing Hands to Addicts in Mexico

    ad·dict
    noun: addict; plural noun: addicts
    a person who is addicted to a particular substance, typically an illegal drug.
    “a former heroin addict”

    synonyms: Informal / junkie, druggie, -head, -freak, pill-popper, dope fiend
    “stealing money for your next high, just like the addicts out in the street”

    informal / an enthusiastic devotee of a specified thing or activity.
    “a must-buy book for the crossword-puzzle addict”

    synonyms: enthusiast, fan, lover, devotee, aficionado,
    informal / freak, buff, nut, fiend, bum, junkie, fanatic, maniac

    In the spirit of Hwa Yu Tai Ji Master John Chung Li moving to south Florida in 1977, in order to introduce Hwa Yu Tai Ji to its retirees, so I moved to Mexico´s Lake Chapala area, a center for ex-pat retirees, especially from U.S. and Canada. Prior to moving there, to test the waters, I posted on a Chapala  social media site, giving an introduction to Pushing Hands, and a self-introduction to my own experiences, as learner and as trainer. I emphasized that the training offered was initially at no charge, and that later donations would be accepted.

    Several months prior, in San Cristobal de las Casas (SCLC), Chiapas, I had advertised my classes (including tuition cost) via posters on walls. This is the custom there, and I never had any problems, even though, according to the immigration law, foreigners are only allowed to work in Mexico if they have a Work Visa. But, in actual practice, especially at (small-scale) English Schools, the law is not strictly enforced.

    However, I quickly realized that the situation in the Chapala area is quite different. On the Chapala Board, while 100+ folks viewed the announcement, and several expressed interest, there were several posts that were Red Flags, apparently from foreigners who warned/threatened me that my Tourist Visa status specifically prohibited such a venture, even on a ´´donations accepted´´ status. One of the threat-makers was active on the Board as a legal specialist for foreigners and their Immigration-Residency matters. I was informed by several long-term foreigner residents that my proposed Pushing Hands project was vulnerable, because there were some unhappy-nasty foreigners living in Chapala-Ajijic area, and that they could inform the Mexican authorities about me and my ´´donations accepted´´ Pushing Hands classes.

    Shortly after deciding to follow their advice, I noticed a building with a (Spanish) sign–Center for Treatment of Addicts. Ahaaa! I introduced myself and scheduled a meeting with the Director. We had a good rapport. I showed him my Posters for my classes in SCLC, and he saw that I could understand and speak Spanish well enough to explain the benefits of Pushing Hands training. Soon I was teaching three 1-hour classes every week.

    It was a short walk from my apartment, to the gate, then the barking dogs, then the gentle greetings to the folks unlocking the door for me. Here is the visual record, shot in SONY Posterization format, exquisite for earthy tones.

    The folks were locked in for the 1st6 weeks of their residence. At my classes we always  had 100% attendance, heh…heh. There was one chap who, initially, would show up every time with the group, but he´d stand stiff and silent, and basically catatonic-style. I assumed he was being treated for heroin addiction, and later was told that was the case.

    To open the Gua acu-zones in the loins, we began with the Nei Gong exercises taught by Master Li—Walking and Rowing. Once we began Pushing Hands training, I was pleasantly surprised to see that these men were not trying to ´´win´´. I had assumed that there would be significant evidence of Anger management/Passive Aggression/etc. issues, but that was not the case. The vibe there was truly cooperative and light-hearted. The men enjoyed the movement and the Flow. In this video, I am telling them:

    • ´´Todo el cuerpo!´´ (All the body!)
    • ´´No solamente los brazos!´´ (Not only the arms!)
    • ´´Sentarse!´´ (Sit down!)

    They enjoyed the format of the 2-hands to the shoulders. As long as they were moving-in-spirit, I felt it was good-and-meant-to-be. In this video, I am emphasizing:

    • ´´Erecto!´´ (Stand straight!´)
    • ´´Un paso!´´ (When you are pushed, turn that push into your own step forward!)

    Here I am introducing the ´´CONTRACT´´´. That is, as a means of mutually opening the GUA zones, A slowly pushes B, and B is Yin and slowly sits back-and-down, until just before reaching the maximum. Then B gives a slight turn of the wrist. This is the signal for A to convert to Yin, to listen to the Yang approach of B, and to likewise sit back-and-down.

    Also seen is the exercise of training the Yin element in the arms, by turning the body and having the arms hit the back. The more Yin, the louder the noise. The chap with the heroin addiction can be seen in the background, stationary. Other times he would be active.

    Here is the final video I shot. The month was over, and it was the final class.

    I was gratified that they were saying thanks-and-goodbye by putting energy into their movements, including the ex-heroin addict. Hopefully, they are on their way to becoming addicted-to-exercise.

  • Pushing Hands and  ‘’Eyes Wide Shut’’

    Pushing Hands and ‘’Eyes Wide Shut’’

    “Kevin, please  tell us why you have such poor eye contact.”  They asked me this at a Job Interview, in California, during the 1970s, the era of the Human Potential movement. The job was as Live-in Counselor for Emotionally Disturbed Adolescents, and I had just learned from the Interviewers that their approach was based upon the mechanistic Stick-and-Carrot approach, the Stimulus-Response system of Skinner, with the adolescents´ daily actions being evaluated and scored, with consistent/continuous CONSEQUENCES.  Minutes before, I had decided that I did not feel rapport with these folks, and their competitive use of eyeballs felt like arm-wrestling. So…it was an easy Hello-Goodbye Job  Interview.

    By contrast, consider:
    * sitting with friends and talking around a campfire at night, beneath the stars, as in John Denver’s song Rocky Mountain High
    * Chinese Dao-inspired paintings, in which the humans are quite small, as they are part of a larger Circle of Nature—sky-mountain-river-trees-animals
    * Pushing Hands with someone who is blind and/or with your own eyes closed.

    At Helen Keller´s famed Alma Mater, Perkins School for the Blind, several decades ago I was a Volunteer Trainer in Pushing Hands and the exercises of Walking and Rowing. To empathize/equalize the process, I would typically close my own eyes. No one complained. I felt—and still do—that  Ting Jing (Listening Energy) can be greatly enhanced with  eyes closed. In China, and elsewhere in Asia, there are Massage Centers with blind professionals. There is a global network for Blind Massage Centers, called ´´Seeing Hands´´.

    SEEING HANDS — that is a relevant metaphor for our goal in Pushing Hands, eh? Here are 2 videos of my Blind Pushing Hands classes in 2017 in San Cristobal de las Casas (SCLC), Chiapas, Mexico.

    For a period, I made a base in SCLC because I thought it would be suitable for introducing Pushing Hands. On the walls, there are always posters of  music events and classes—Yoga/Reiki/Aromatherapy/Film-making/Afro-Cuban Dance/Puppetry/Enneagrams/Meditation/Shamanism/Sweat Lodges/ad infinitum. SCLC is visually exquisite, with a strong Mayan/Zapatista ambience, especially attracting (1) artisans/musicians from Latin America and beyond, and (2) Mexican tourists, especially on weekends. On the pedestrian-only Walking Street, folks earn income by selling  their crafts and playing their music for the tourists. There are 2 different residential Artist Cooperatives—one specializing in Visual Arts, and the other in Dance/Movement. Though it didn´t  develop in SCLC, that is my goal/intention/plan/Dharma—to develop a Cooperative for folks training in Pushing Hands.

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  • Commentary On YT Video: ”Master Yun’s Nei Gong Pushing Hands  – In 100 Seconds”

    Commentary On YT Video: ”Master Yun’s Nei Gong Pushing Hands – In 100 Seconds”

    “Let the Analysis Games commence!!! (with Italicized quotes from the video’s closed captions).”

    (1)Knowing is not enough; we must apply. Willing is not enough; we must do.   (Goethe)

    Pushing Hands is an excellent method to go from (1) Knowing-to-Applying, from (2)Willing-to-Doing, as well as from (3)Doing-to-Being. For example, consider the nature of Breathing. I recall several of my Sifus being asked about Pranayama-style Breathing exercises, and they warned about such (left-brained/intentional) training. Instead, they emphasized “Wu wei” and “Ziran”—that is, allowing processes to flow, naturally. That is, “Don’t push the river”.

    But…metaphorically speaking, how to get the river moving-with-power…and upstream? Another metaphor, an ancient Daoist one, focuses upon transforming/reversing the “natural” tendency of (1) “Fire” (Li/Yang) to rise, and (2) “Water” (Kan/Yin) to sink. With the fire under the water, as the metaphor goes, the water will be heated, and converted into steam.  Master John Chung Li emphasized: ”It is not enough to learn the Form. One must master the Internal Work (Nei Gong)”. Sifu Li taught us the Nei Gong method of Zhan Zhuang (Standing). Some of us did the Gong for the recommended/required “1-Hour-a-Day-for-100 Days”, and have seen how “doing” converts into “being”. That is, the  Gua (loin) acu-zone gradually opens up (after much pain-heat-sweat-steam), the Yang Qi goes down, thru the un-tense/Yin/Kong body, down to Earth via the Yang Acupuncture point in the heel, the Yin Qi rises from the Earth, up thru the Bubbling Well point at the ball of the opposite foot, and the breath deepens/slows down…naturally.

    (2)So it seems that in all branches of industry, alternating currents—electric wave motion—have the sway. As in nature, all is ebb and tide; all is wave motion.(Tesla)

    The video takes place one Sunday, at a weekly Pushing Hands gathering at Shanghai’s Xiang Yang Park. Most regulars here are old-timers, 90% men, generally non-competitive, using the culturally-appropriate etiquette of polite smiles/laughter. An ancient Chinese Morphic Resonance (Sheldrake). At various other sections of the park, there are other groups, other group-cultures, some quite competitive-aggressive-tense-external-egocentric.

    On this Sunday, framed by the dramatic Red-Yang background, Yun is (discretely) showing me what I have never seen him do, before or since: the Yin-Yang of the round, continuously converting defense into an offense-move against his partner/opponent, using the Ba Gua-like circle-movements from the Form of Liu He Ba Fa (LHBF) . (NOTE: See below for INFO on LHBF.)

    The Liu He Ba Fa (Hua Yu Tai Ji)  “Five Word Song” emphasizes: “Arms and back should be round as if hugging”. Everywhere, in Boston, Florida, Chicago and Hong Kong, Master John Chung Li would say that  often to his students as they practiced, though it would sound somehow like ”hugg-ling”. Back to the Five Word Song–consider the different feelings/meanings of “should be round” and…“will be round”. That is, the roundness is a natural result of a state of flowing “currents”, once the “water” has been converted to “steam”.

    Master Yun embodies “wave motion” throughout this video. Actually, over these many years, I’ve never again seen him do Tui Shou like this. Yun here looks somewhat “competitive”, but in no way does he appear tense or focused on “winning”, as some sort of hormonal rush bloating the Ego. Rather, he is “Kong”: empty of tension…empty of  ïdea…empty of Ï ”. Another song from the Five Word Song: “If one thinks there is a Method, then that Thought is in vain.”

    As I interpret it, he is showing me/us/camera/history—showing us what can be done with Nei Gong and Kong. Years earlier, Yun had asked me why I was video-recording him/us. I knew what he knew—that many Tai Ji Masters were recorded by foreign folk-with-cameras, who then sold the videos, but did not share anything with the Masters.

    Actually, years later I learned that the same rip-off had happened to Master Yun, when he was in the USA several years ago. I discovered this when I asked him about  his LHBF lessons-on-DVD, which I had seen for sale on some USA lady’s website. He was totally unaware that someone was selling videos of his LHBF lessons.

    So, years later, when Master Yun asked me “Why?”, I knew what he was asking about. I replied: “Lishi”—History. Yes. Not this generation, it seems. When Yun’s friend, Master Xu Guo Ming, brought him to California for Workshops, Yun got on the cover of some Tai Ji magazine, and I was expecting that we’d be seeing some future Jedi Knights eager to train with Oby Wan in Shanghai. But I didn’t see that happen much with these current generations, whether Chinese or foreign. So…that is why I see these video records of Master Yun as being for History— the 7th Generation.

    But…back to 2018 and our super-3D “Material World”…in addition to telling Yun that I was/am shooting these videos for History, I also assured him that if I ever make money from his videos, he will be in charge of the money.

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